PenguinHunter
4 Aug 2006, 08:42 PM
I copied this thread from the 16types forum. (I explored a bit after seeing the post about it being up and running again). I liked this thread. The English is a bit awkward at times but it's interesting nonetheless.
http://the16types.no-ip.info/forums/viewtopic.php?t=2871
Block EGO * the 1st position * program function * the "intuition of time"
Balzac lives according to the principle "pospeshay slowly" and greatly it does not love, when to him tie other rates.
It is possible to only envy so that it never anywhere hurries and never anywhere it is late. (it has even namerenno to be late it is not obtained). Transport confusions and "plug" on the roads, similarly, in no way complicate its life: despite not on what, it always arrives in time.
In its life never it occurs nothing unforeseen, because it everything knows how to foresee. The agreement of its own forecasts sufficiently early ceases it to astonish and to gladden. It as if is born with the knowledge of all fact that will occur with it in the future, and all that which already occurred in the distant past. This, it would seem, enormous advantage over rest turns around for it by essential problem - sometimes it is begun boringly to live. So good it everything will foresee that for it as if there does not exist in the life of surprises.
Balzac does not hurry to odarivat' all and each by his predictions, he does not go to work as "fortune teller". For it the skill to see "through the time" is too natural in order to make from this "attraction". Balzac prefers the role of teacher, who analyzes the accomplished errors and who warns against their repetition.
No matter how is sad, but Balzac with the characteristic of it pessimism frequently fulfills the function of that most fairytale stone, which he foretells: "you will go to the right - you will lose horse, you will go to the left - head you will accumulate..." And like it remains no other possibilities, except as to turn back.
Balzac not the one who will glorify "folly of brave". On the contrary, he will consider as his debt to in proper time warn against rash behavior, to warn about all likely dangers, the most unfavorable course of events.
Balzac possesses the ability in the sequence of any phenomena to in proper time see the weakest component. He also will not consider for the labor to analyze, what concealed dangers it in itself conceals and what future troubles will involve.
Balzac, as no one another, sees the original predestination of many enterprises or the inaccuracy of many late undertakings. But with entire his pessimism Balzac, in contrast to some other intui-tov, does not foretell the close end of the light. (it generally against forcing of public hysteria by means of the gloomy forecasts)
Balzac loves philosophically to look at proceeding; therefore "comforts" by sayings of the type: "everything passes", "we all will be there", "tomorrow yet not the end of the light", "this it will pass"...
Balzac considers that everything comes in time to that, who knows how to await. Balzac knows how to await. He knows how to fill waiting time so that it will be extended for life, having caused to his plans of no damage.
Balzac knows how to be the owner of proper time - this makes possible for it to feel itself independent. Balzac knows how not to be subordinated to the circumstances: he prefers to use them. Without having a habit to be flattered or to be in error to its calculation, it is capable to actually estimate its own possibilities under the specific conditions, in the specific stage.
Balzac - only, who sees the most concealed and most imperceptible tendencies of the historical development of society. He, as no one, feels the interrelation of events in the time, he understands, as proceeding today influences further motion of history. About whatever event reflected Balzac, he sees him simultaneously in the present, the past and the future. And this for it is not more than the natural perception of all vital phenomena.
Following its constant tendency to avoid possible errors, Balzac frequently the beret to itself the role of strange observer, than gives occasion for the charge in the passive relation to the life.
A drawback in the bal'zakovskikh warnings is the absence in them of positive alternative, in consequence of which they frequently "freeze" whose- that business activity. To avoid a quantity of their accomplished in the world errors is not begun less with entire tendency of Balzac. At least because the refusal of the selected plans to avoid the dangers, which associate their realization, already by itself can be error.
Block EGO * 2-4 pozitsiya*Tvorcheskaya function * "business logic"
Balzac's time is filled with the matters or by reflections about how it is better to make them. Balzac best anything works, where least of all to it they press, influence, distract or interfere, where the smallest probability of unnecessary fuss, confusion, rush work, ethical "dismantlings" or intrigues in the association.
Internally deeply independent, Balzac in any matter attempts himself to be free from the circumstances. Whatever was heavy duty in the production, this will not influence it: it methodically and quietly masters its workday, it is convenient and razmerenno distributes its forces, alternating the different types of works and the different types of loads.
Balzac pedantically follows the assigned indications. If the specific sequence of work is specified to it, it strictly carries out it. But, where only eventual result is required from it, but intermediate sequence is not important, it prefers to follow its own job schedule and, as far as possible, to its own rational procedures.
It is very assiduous, with the pleasure it is occupied by labor-consuming tedious work, it thoroughly studies details. , before returning work, it attentively checks, trying not to commit errors. It is very important for Balzac so that the error analysis in his work would be timely and, most importantly, design.
Constantly it worries about the level of its qualification. It is always grateful for the valuable indications and the councils for work.
Greatly it survives, when its work does not obtain appreciation, this directs it on the thought about its own "profneprigodnosti". Sometimes it comes to the conclusion that more than benefit will bring, working as consultant, by instructor, by methodologist, by controller, than by simple executor.
Greatly it loves, when to it to the instruction they send new workers. Balzac adores to instruct - this him the "sidereal hour", which it with the impatience always awaits.
One should not teach Balzac, in which order it should be achieved its plans, when and as to it to be occupied by its matters. And already those more it does not be worth it teaching, that also as it is necessary to make. It prefers not to deal concerning those, who know "how must": he from those, who better this know for itself.
The main thing, he knows, it does be worth carrying out this matter generally. First of all, in his opinion, one should thoroughly think over that this for the matter, to whom and for which it is necessary, and than precisely it in this matter can be useful.
If we give some work to it, but not to appoint the period of its fulfillment, Balzac will not at all consider this as the assigned work: he either will forget about it or he ignores. It should argumentatively explain, for which it is necessary and as its performance soon is required. Only it will be able to receive task in earnest after this. This approach to the matter is explained by the tendency not to make anything excess, not to make that no one it is necessary.
For Balzac, as for any representative of third kvadry is very important the consciousness of its own vostrebovannosti: it will not make that no one it is necessary, he wants to be free for the matters, which are actually necessary to someone. Balzac will hire to the useless work only in such a case, when he thus far was unemployed and to him now not on what to live. But subsequently it will try to find to itself a more successful use.
Balzac from those, who "seven times will measure off" and one hundred additional times will think before "cutting off". Balzac compulsorily will think also about the consequences of his participation in by anything. Balzac tries never and by in no way not to risk. It not of those, who adjoin the opposition or the dissidentskomu motion, although it can maintain personal relations with his individual representatives. Yes even why to it, if it knows how to wait for political situation necessary to it and to use it for the realization of its plans.
Block Of superego*e-ya pozitsiya*Normativnaya Function * "sensorika Of sensations"
Balzac tries to make all necessary for the device of his own way of life. House of Balzac - not only his fortress: this and its spiritual and intellectual "oasis", where without fail must be located its dear and expensive to it things - dear books, the dear music, the dear portraits and photograph on the walls, the dear "memorable gifts" on the regiments.
Balzac can comfortably be arranged, also, in one small room - main thing so that would be located the place for his "dear" armchair and for his books. Balzac loves convenient furniture, it is not important, what style, loves the mute, warm illumination. Loves to light fireplace by winter evening, loves noise of rain after the window.
Balzac tries to be stocked "about the black day" by all by necessary. Nedualizirovannyy Balzac as far as possible buys in all "on two, on four, on six, on eight." Reliable fact: one of the representatives of this type equipped at home comfortable and convenient podval'chik, where applied entire necessary "to the case of war".
Balzac greatly values his own comfort and sincere rest. He tries to create comfortable and convenient micro-medium around itself. With the pleasure it surrounds itself by beautiful things. It loves to gather the small collections of the works of skill, to make to itself "memorable gifts".
It wonderfully feels itself in the comfortable and benevolent situation. It loves "to bring visits" to the hospitable and hospitable houses (but only being confident, that to it it is there actually glad). Willingly assume invitations upon the parties into the pleasant and interesting company. Previously it worries about how to conduct the advancing holidays. It loves to assume the limited circle of close friends in itself, entertaining not only by tasty food, but also by pleasant intellectual conversation about the analysis of last events in the region of culture, skill and policy. Balzac considers the evening, carry ouied without the intellectually saturated conversation, been unsuccessful. (Therefore the success of "bal'zakovskikh evenings" in the big enough degree it depends on the skill of his duala of Caesar in time to cease to lead and to leave to the second plan, without interfere witing Balzac in his intellectual initiative.)
Balzac is always opened for the perception of new sensations. He with the children's curiosity will try new food. With the attention it will listen music new for itself. To bal'zakovskomu taste not is alien the mixing of the musical styles: it can on one cassette write down "heavy fate", and music of "baroque".
However, some of the representatives of this type try not to encumber its rumor by music of low quality, but this already relates to Balzac's tendency to in every possible way develop its artistic taste and to create to itself the conditions of the increased comfort: then it surrounds itself by the things of the best quality, dresses dearly, beautifully and accurately (P.M. Gorbachev), he tries to be up to date in all artistic novelties - premiers, fashionable exhibitions, the concerts of "celebrities".
For the same reason Balzac tries to with great care relate to his own health. As needed it follows its weight, it soblyudayet preventive diets, itself is subjected to easy (as far as possible) starvation, it feeds by healthy plant food.
Special attention is given to leisure and sleep. In some representatives of this type its, individual mode of operation and leisure is added. Sometimes Balzac does not see for himself special misdeed in falling asleep, where to it this suddenly was wanted. Sometimes it is possible to see Balzac with that sleeping at the work site or even during the monotonous work, that continues it to automatically make with hands, that sleeps during the lesson, during hearing of musical program. Being sent "to the potato", Balzac can comfortably be arranged on the bed and sleep. (Kutuzov, as is known, it could fall asleep on the military council.)
Nevertheless sensorika of sensations - this is that region, which Balzac tries in himself to develop to the conventional level. His successes in this field - guarantee of his successful dualization: Balzac's effort aesthetically to appear and to design its way of life properly rewards by attention and appreciation of his duala of Caesar, in whom with a sense of self-respect and the natural aesthetical taste everything proceeds well, and it will not suffer next to itself "unprepossessing sloven". (they are known the cases of the unsuccessful dualization in Balzacs with the underdeveloped to the norm sensorikoy of sensations). Therefore with entire unwillingness of Balzac to make above itself an excess volitional effort, it is forced be occupied to thoroughly by its own appearance, it is high-quality with the taste to improve its way of life and more often "to be published", where in it there are many more chances to meet its duala, than sitting house in its own comfortable armchair.
Block Of superego*ya-ya the pozitsiya*Mobilizatsionnaya function * the "ethics of emotions"
It is manifested in Balzac's tendency to fence itself from the strong emotional action, in the unwillingness to be pulled into the stressed emotional regime.
Balzac considers it necessary to subordinate his emotions to reason - this is his the firm rule, which it strictly adheres to itself, and it constantly suggests to its environment.
"traginervicheskikh phenomena, maidenly faintings, tears..." Balzac cannot actually suffer also in his tendency to avoid by any their price he frequently behaves to such an extent immorally, which itself involuntarily them provokes.
Attempting to be maximally restrained in the manifestation of its own feelings, trying by anything not to reveal its true emotional state, from the fear to be implicated into any ethical intrigue, Balzac unconsciously behaves in a intriguing manner how constantly draws on itself the risk of the stormiest explanation of relations. Filling to itself demonstratively apathetic form, it in reality frequently creates falsely the significant "mask", which simultaneously and intrigues and irritates. In any case, in many of its partners appears the desire it to tear away and to examine its true face. Frequently it is as follows: the more the "mysteriousness" it to itself fills, the "steeper" with it they are investigated. ("assumed indifference" Balzac is frequently for it the means of "ethical reconnaissance" in the interrelations with the partner, testing the interest of partner in further development of relations.
To emotionally vulnerable, easily hurt, uncertain of his attractiveness Balzac it is extremely important to know the degree of the interest in it of partner. Sometimes he uses for this this "trick": after addressing to the partner about by anything paramount meant, it suddenly makes pause and as if it is distracted to something insignificant, unnoticeably controlling the behavior of partner and waiting, when and as it appears interest in the theme touched upon. In the interrelations with Caesar this even and the method to discipline the constantly scattering attention of its duala, the attempt to concentrate its attention in itself; and also, what is very important in the process of dualization, the attempt to soizmerit' the significance of its own values with the values of its partner.)
It stands to reason, Balzac even for himself cannot explain the true reason for his "imperturbability" (but mysteriousness in himself it generally none it sees and never its namerenno it fills - it indeed not ethics, but logician). Most frequently it behaves thus from the desire to only fence itself from the psychological discomfort, which it sees in the emotionally oversaturated psychological regime. For this very reason, as it counts, the only possibility for it to be insured - this to create the visibility of imperturbability. But since this is done mainly in the ethical situations, its partners frequently feel themselves insulted by its indifference, those more assumed. Here and it turns out that farsighted Balzac the first becomes the victim of his own backup insurance.
Still more badly it is obtained, when Balzac begins "to equalize" the emotional state of partner, encouraging by his view or in a word. By itself this is possible and good, but in the complex ethical situation this behavior is usually received not only as "moral support", but also as encouragement, which leads to the sequential explanation of relations with all emerging emotional consequences.
The manifestation of its own emotions for it also does not manage without complications. Because of the eternal fear to be incorrectly understood with their natural manifestation or with their intentional concealment Balzac constantly is in the confusion, when the matter concerns the expression of his own feelings. Here it encounters many problems simultaneously: sometimes it simply cannot at itself be dismantled - its feeling they seem it either insufficiently determined or by too contradictory. Furthermore, it always cannot find the suitable form for their expression, and each it will allow soak to itself to express its feelings. Frequently it fears to say anything excess in order not to encourage man and not to make it necessary then to suffer. Frequently its own emotional possibilities they seem it insufficiently studied. It can manifest its feelings in this "odd" form as the concern about the fate of its relations with the partner, warning him against connection with itself, "unworthy". It can talk about itself much wrong and unpleasant, allowing to judge, "what roses to us it prepared Gimeney". Moreover, since all this is spoken by confident and reasonable tone, almost no one will suspect after entire this piling up of contradictory reasons elementary uncertainty in itself.
Unfortunately, to free Balzac from the uncertainty in itself - this is long, agonizingly hard and often thankless labor. One only Caesar - its dual, can manage this task successfully. Without troubling itself by reflections about the discrepancy of bal'zakovskoy ethics, it naturally implicates it into its naive, artless and sincerely- benevolent emotional game. Practice shows that any another of ethics, even nearest to it on kvadre - Dreiser, cannot successfully manage the bal'zakovskimi "ethical puzzles".
They always frighten Balzac and irritate the inadequately expressed emotions, regardless of the fact, positive they or negative. It is sufficient one immoderate exclamation so that it would feel itself badly. Therefore Balzac painfully receives any conversation on the increased tones. This regardless of the fact, business conversation or explanation of relations, he badly itself feels in the continuous flow of the saturated emotions. Balzac does not suffer the irritated tone, but he is doomed entire life with this to encounter: in the childhood he suffers from the irritation of parents and educators, in the ripe years he irritates authorities and colleagues. Irritate, in addition it can than conveniently: by old-fashioned manners, by sluggishness or by the awkwardness of motions, by the monotony of voice, by the gentle or frightened form - yes it is small whether than, if the matter not so much in it very, as in the inconvenient relations, in which it constantly falls (as, however, and each of us).
That already then to speak about hysterics with the tears and the reproaches, about the scandals with the beating of dishes and "heart fits" with the the valer'yankoy and "emergency medical service"... For Balzac this is simple the penalty Of gospodnya - it is only incomprehensible, for what sins. Falling into the whirlpool of hysterics, on top of that accompanied by power pressure, Balzac experiences panicky horror - the state, from which he does not know how to be pulled out. Therefore at this moment it is capable to complete the wildest, most unexpected act. (for example, similar to Pierre Bezukhov, to be swung back to the wife by marble table.)
In any ethical awkward situation Balzac feels himself very restlessly. Sometimes in the searches for output he aggravates the created stress, no longer discussing, rights it or it is guilty, striving as it is possible faster "to ischerpat'" situation how to it this not threatened. In such minutes it is capable to the act, about which it will then possible regret, but for the moment this for it does not have a value: its reason by poly-awn is subordinated to the whirlpool of emotions, before which it is helpless, and therefore it does not belong to itself.
Blinding by emotions for Balzac is equivalent to folly. The same he thinks also about others. Therefore it fears and hates the manifestation of sociopolitical hysteria in any form of it. As soon as appears sequential political leader- maniac or latter-day prophet- psychopath, Balzac "departs" to his well-organized podval'chik and closes there until the better time or he escapes herself somewhere "after the ocean".
After all experienced by it in the real life shakings easy emotional discharging in the form of "terrible fairy tale on the night" (any of the film of horrors) for Balzac is not more than children's amusement. Favorite genre - comic nekrotriller (of type "families Adams").
Humor of Balzac - its kind the method of intellectual- emotional "retribution". Sometimes it is expressed as reaction to the perceived by it psychological discomfort:
"now, zarane celebrating,
It began to draw in the soul of its
Caricatures of all guests ".
Sometimes bal'zakovskiy humor is expressed in the form of very successful epigrams. Sometimes this is the simply thin irony, painted in the gloomy tones. Bal'zakovskiy "black humor" is characterized by unique nekrooriyentatsiyey. It can Balzacs in contrast to the Hamlet and they do not philosophize above the skulls of their friends, but fairly often they joke on this theme. In Balzacs to a question of death from the childhood philosophically- ironic relation is formed. (Child- Balzacs they are frequently entertained by the figures of "skeletikov", by "zhutikami" and "horror stories".)
http://the16types.no-ip.info/forums/viewtopic.php?t=2871
Block EGO * the 1st position * program function * the "intuition of time"
Balzac lives according to the principle "pospeshay slowly" and greatly it does not love, when to him tie other rates.
It is possible to only envy so that it never anywhere hurries and never anywhere it is late. (it has even namerenno to be late it is not obtained). Transport confusions and "plug" on the roads, similarly, in no way complicate its life: despite not on what, it always arrives in time.
In its life never it occurs nothing unforeseen, because it everything knows how to foresee. The agreement of its own forecasts sufficiently early ceases it to astonish and to gladden. It as if is born with the knowledge of all fact that will occur with it in the future, and all that which already occurred in the distant past. This, it would seem, enormous advantage over rest turns around for it by essential problem - sometimes it is begun boringly to live. So good it everything will foresee that for it as if there does not exist in the life of surprises.
Balzac does not hurry to odarivat' all and each by his predictions, he does not go to work as "fortune teller". For it the skill to see "through the time" is too natural in order to make from this "attraction". Balzac prefers the role of teacher, who analyzes the accomplished errors and who warns against their repetition.
No matter how is sad, but Balzac with the characteristic of it pessimism frequently fulfills the function of that most fairytale stone, which he foretells: "you will go to the right - you will lose horse, you will go to the left - head you will accumulate..." And like it remains no other possibilities, except as to turn back.
Balzac not the one who will glorify "folly of brave". On the contrary, he will consider as his debt to in proper time warn against rash behavior, to warn about all likely dangers, the most unfavorable course of events.
Balzac possesses the ability in the sequence of any phenomena to in proper time see the weakest component. He also will not consider for the labor to analyze, what concealed dangers it in itself conceals and what future troubles will involve.
Balzac, as no one another, sees the original predestination of many enterprises or the inaccuracy of many late undertakings. But with entire his pessimism Balzac, in contrast to some other intui-tov, does not foretell the close end of the light. (it generally against forcing of public hysteria by means of the gloomy forecasts)
Balzac loves philosophically to look at proceeding; therefore "comforts" by sayings of the type: "everything passes", "we all will be there", "tomorrow yet not the end of the light", "this it will pass"...
Balzac considers that everything comes in time to that, who knows how to await. Balzac knows how to await. He knows how to fill waiting time so that it will be extended for life, having caused to his plans of no damage.
Balzac knows how to be the owner of proper time - this makes possible for it to feel itself independent. Balzac knows how not to be subordinated to the circumstances: he prefers to use them. Without having a habit to be flattered or to be in error to its calculation, it is capable to actually estimate its own possibilities under the specific conditions, in the specific stage.
Balzac - only, who sees the most concealed and most imperceptible tendencies of the historical development of society. He, as no one, feels the interrelation of events in the time, he understands, as proceeding today influences further motion of history. About whatever event reflected Balzac, he sees him simultaneously in the present, the past and the future. And this for it is not more than the natural perception of all vital phenomena.
Following its constant tendency to avoid possible errors, Balzac frequently the beret to itself the role of strange observer, than gives occasion for the charge in the passive relation to the life.
A drawback in the bal'zakovskikh warnings is the absence in them of positive alternative, in consequence of which they frequently "freeze" whose- that business activity. To avoid a quantity of their accomplished in the world errors is not begun less with entire tendency of Balzac. At least because the refusal of the selected plans to avoid the dangers, which associate their realization, already by itself can be error.
Block EGO * 2-4 pozitsiya*Tvorcheskaya function * "business logic"
Balzac's time is filled with the matters or by reflections about how it is better to make them. Balzac best anything works, where least of all to it they press, influence, distract or interfere, where the smallest probability of unnecessary fuss, confusion, rush work, ethical "dismantlings" or intrigues in the association.
Internally deeply independent, Balzac in any matter attempts himself to be free from the circumstances. Whatever was heavy duty in the production, this will not influence it: it methodically and quietly masters its workday, it is convenient and razmerenno distributes its forces, alternating the different types of works and the different types of loads.
Balzac pedantically follows the assigned indications. If the specific sequence of work is specified to it, it strictly carries out it. But, where only eventual result is required from it, but intermediate sequence is not important, it prefers to follow its own job schedule and, as far as possible, to its own rational procedures.
It is very assiduous, with the pleasure it is occupied by labor-consuming tedious work, it thoroughly studies details. , before returning work, it attentively checks, trying not to commit errors. It is very important for Balzac so that the error analysis in his work would be timely and, most importantly, design.
Constantly it worries about the level of its qualification. It is always grateful for the valuable indications and the councils for work.
Greatly it survives, when its work does not obtain appreciation, this directs it on the thought about its own "profneprigodnosti". Sometimes it comes to the conclusion that more than benefit will bring, working as consultant, by instructor, by methodologist, by controller, than by simple executor.
Greatly it loves, when to it to the instruction they send new workers. Balzac adores to instruct - this him the "sidereal hour", which it with the impatience always awaits.
One should not teach Balzac, in which order it should be achieved its plans, when and as to it to be occupied by its matters. And already those more it does not be worth it teaching, that also as it is necessary to make. It prefers not to deal concerning those, who know "how must": he from those, who better this know for itself.
The main thing, he knows, it does be worth carrying out this matter generally. First of all, in his opinion, one should thoroughly think over that this for the matter, to whom and for which it is necessary, and than precisely it in this matter can be useful.
If we give some work to it, but not to appoint the period of its fulfillment, Balzac will not at all consider this as the assigned work: he either will forget about it or he ignores. It should argumentatively explain, for which it is necessary and as its performance soon is required. Only it will be able to receive task in earnest after this. This approach to the matter is explained by the tendency not to make anything excess, not to make that no one it is necessary.
For Balzac, as for any representative of third kvadry is very important the consciousness of its own vostrebovannosti: it will not make that no one it is necessary, he wants to be free for the matters, which are actually necessary to someone. Balzac will hire to the useless work only in such a case, when he thus far was unemployed and to him now not on what to live. But subsequently it will try to find to itself a more successful use.
Balzac from those, who "seven times will measure off" and one hundred additional times will think before "cutting off". Balzac compulsorily will think also about the consequences of his participation in by anything. Balzac tries never and by in no way not to risk. It not of those, who adjoin the opposition or the dissidentskomu motion, although it can maintain personal relations with his individual representatives. Yes even why to it, if it knows how to wait for political situation necessary to it and to use it for the realization of its plans.
Block Of superego*e-ya pozitsiya*Normativnaya Function * "sensorika Of sensations"
Balzac tries to make all necessary for the device of his own way of life. House of Balzac - not only his fortress: this and its spiritual and intellectual "oasis", where without fail must be located its dear and expensive to it things - dear books, the dear music, the dear portraits and photograph on the walls, the dear "memorable gifts" on the regiments.
Balzac can comfortably be arranged, also, in one small room - main thing so that would be located the place for his "dear" armchair and for his books. Balzac loves convenient furniture, it is not important, what style, loves the mute, warm illumination. Loves to light fireplace by winter evening, loves noise of rain after the window.
Balzac tries to be stocked "about the black day" by all by necessary. Nedualizirovannyy Balzac as far as possible buys in all "on two, on four, on six, on eight." Reliable fact: one of the representatives of this type equipped at home comfortable and convenient podval'chik, where applied entire necessary "to the case of war".
Balzac greatly values his own comfort and sincere rest. He tries to create comfortable and convenient micro-medium around itself. With the pleasure it surrounds itself by beautiful things. It loves to gather the small collections of the works of skill, to make to itself "memorable gifts".
It wonderfully feels itself in the comfortable and benevolent situation. It loves "to bring visits" to the hospitable and hospitable houses (but only being confident, that to it it is there actually glad). Willingly assume invitations upon the parties into the pleasant and interesting company. Previously it worries about how to conduct the advancing holidays. It loves to assume the limited circle of close friends in itself, entertaining not only by tasty food, but also by pleasant intellectual conversation about the analysis of last events in the region of culture, skill and policy. Balzac considers the evening, carry ouied without the intellectually saturated conversation, been unsuccessful. (Therefore the success of "bal'zakovskikh evenings" in the big enough degree it depends on the skill of his duala of Caesar in time to cease to lead and to leave to the second plan, without interfere witing Balzac in his intellectual initiative.)
Balzac is always opened for the perception of new sensations. He with the children's curiosity will try new food. With the attention it will listen music new for itself. To bal'zakovskomu taste not is alien the mixing of the musical styles: it can on one cassette write down "heavy fate", and music of "baroque".
However, some of the representatives of this type try not to encumber its rumor by music of low quality, but this already relates to Balzac's tendency to in every possible way develop its artistic taste and to create to itself the conditions of the increased comfort: then it surrounds itself by the things of the best quality, dresses dearly, beautifully and accurately (P.M. Gorbachev), he tries to be up to date in all artistic novelties - premiers, fashionable exhibitions, the concerts of "celebrities".
For the same reason Balzac tries to with great care relate to his own health. As needed it follows its weight, it soblyudayet preventive diets, itself is subjected to easy (as far as possible) starvation, it feeds by healthy plant food.
Special attention is given to leisure and sleep. In some representatives of this type its, individual mode of operation and leisure is added. Sometimes Balzac does not see for himself special misdeed in falling asleep, where to it this suddenly was wanted. Sometimes it is possible to see Balzac with that sleeping at the work site or even during the monotonous work, that continues it to automatically make with hands, that sleeps during the lesson, during hearing of musical program. Being sent "to the potato", Balzac can comfortably be arranged on the bed and sleep. (Kutuzov, as is known, it could fall asleep on the military council.)
Nevertheless sensorika of sensations - this is that region, which Balzac tries in himself to develop to the conventional level. His successes in this field - guarantee of his successful dualization: Balzac's effort aesthetically to appear and to design its way of life properly rewards by attention and appreciation of his duala of Caesar, in whom with a sense of self-respect and the natural aesthetical taste everything proceeds well, and it will not suffer next to itself "unprepossessing sloven". (they are known the cases of the unsuccessful dualization in Balzacs with the underdeveloped to the norm sensorikoy of sensations). Therefore with entire unwillingness of Balzac to make above itself an excess volitional effort, it is forced be occupied to thoroughly by its own appearance, it is high-quality with the taste to improve its way of life and more often "to be published", where in it there are many more chances to meet its duala, than sitting house in its own comfortable armchair.
Block Of superego*ya-ya the pozitsiya*Mobilizatsionnaya function * the "ethics of emotions"
It is manifested in Balzac's tendency to fence itself from the strong emotional action, in the unwillingness to be pulled into the stressed emotional regime.
Balzac considers it necessary to subordinate his emotions to reason - this is his the firm rule, which it strictly adheres to itself, and it constantly suggests to its environment.
"traginervicheskikh phenomena, maidenly faintings, tears..." Balzac cannot actually suffer also in his tendency to avoid by any their price he frequently behaves to such an extent immorally, which itself involuntarily them provokes.
Attempting to be maximally restrained in the manifestation of its own feelings, trying by anything not to reveal its true emotional state, from the fear to be implicated into any ethical intrigue, Balzac unconsciously behaves in a intriguing manner how constantly draws on itself the risk of the stormiest explanation of relations. Filling to itself demonstratively apathetic form, it in reality frequently creates falsely the significant "mask", which simultaneously and intrigues and irritates. In any case, in many of its partners appears the desire it to tear away and to examine its true face. Frequently it is as follows: the more the "mysteriousness" it to itself fills, the "steeper" with it they are investigated. ("assumed indifference" Balzac is frequently for it the means of "ethical reconnaissance" in the interrelations with the partner, testing the interest of partner in further development of relations.
To emotionally vulnerable, easily hurt, uncertain of his attractiveness Balzac it is extremely important to know the degree of the interest in it of partner. Sometimes he uses for this this "trick": after addressing to the partner about by anything paramount meant, it suddenly makes pause and as if it is distracted to something insignificant, unnoticeably controlling the behavior of partner and waiting, when and as it appears interest in the theme touched upon. In the interrelations with Caesar this even and the method to discipline the constantly scattering attention of its duala, the attempt to concentrate its attention in itself; and also, what is very important in the process of dualization, the attempt to soizmerit' the significance of its own values with the values of its partner.)
It stands to reason, Balzac even for himself cannot explain the true reason for his "imperturbability" (but mysteriousness in himself it generally none it sees and never its namerenno it fills - it indeed not ethics, but logician). Most frequently it behaves thus from the desire to only fence itself from the psychological discomfort, which it sees in the emotionally oversaturated psychological regime. For this very reason, as it counts, the only possibility for it to be insured - this to create the visibility of imperturbability. But since this is done mainly in the ethical situations, its partners frequently feel themselves insulted by its indifference, those more assumed. Here and it turns out that farsighted Balzac the first becomes the victim of his own backup insurance.
Still more badly it is obtained, when Balzac begins "to equalize" the emotional state of partner, encouraging by his view or in a word. By itself this is possible and good, but in the complex ethical situation this behavior is usually received not only as "moral support", but also as encouragement, which leads to the sequential explanation of relations with all emerging emotional consequences.
The manifestation of its own emotions for it also does not manage without complications. Because of the eternal fear to be incorrectly understood with their natural manifestation or with their intentional concealment Balzac constantly is in the confusion, when the matter concerns the expression of his own feelings. Here it encounters many problems simultaneously: sometimes it simply cannot at itself be dismantled - its feeling they seem it either insufficiently determined or by too contradictory. Furthermore, it always cannot find the suitable form for their expression, and each it will allow soak to itself to express its feelings. Frequently it fears to say anything excess in order not to encourage man and not to make it necessary then to suffer. Frequently its own emotional possibilities they seem it insufficiently studied. It can manifest its feelings in this "odd" form as the concern about the fate of its relations with the partner, warning him against connection with itself, "unworthy". It can talk about itself much wrong and unpleasant, allowing to judge, "what roses to us it prepared Gimeney". Moreover, since all this is spoken by confident and reasonable tone, almost no one will suspect after entire this piling up of contradictory reasons elementary uncertainty in itself.
Unfortunately, to free Balzac from the uncertainty in itself - this is long, agonizingly hard and often thankless labor. One only Caesar - its dual, can manage this task successfully. Without troubling itself by reflections about the discrepancy of bal'zakovskoy ethics, it naturally implicates it into its naive, artless and sincerely- benevolent emotional game. Practice shows that any another of ethics, even nearest to it on kvadre - Dreiser, cannot successfully manage the bal'zakovskimi "ethical puzzles".
They always frighten Balzac and irritate the inadequately expressed emotions, regardless of the fact, positive they or negative. It is sufficient one immoderate exclamation so that it would feel itself badly. Therefore Balzac painfully receives any conversation on the increased tones. This regardless of the fact, business conversation or explanation of relations, he badly itself feels in the continuous flow of the saturated emotions. Balzac does not suffer the irritated tone, but he is doomed entire life with this to encounter: in the childhood he suffers from the irritation of parents and educators, in the ripe years he irritates authorities and colleagues. Irritate, in addition it can than conveniently: by old-fashioned manners, by sluggishness or by the awkwardness of motions, by the monotony of voice, by the gentle or frightened form - yes it is small whether than, if the matter not so much in it very, as in the inconvenient relations, in which it constantly falls (as, however, and each of us).
That already then to speak about hysterics with the tears and the reproaches, about the scandals with the beating of dishes and "heart fits" with the the valer'yankoy and "emergency medical service"... For Balzac this is simple the penalty Of gospodnya - it is only incomprehensible, for what sins. Falling into the whirlpool of hysterics, on top of that accompanied by power pressure, Balzac experiences panicky horror - the state, from which he does not know how to be pulled out. Therefore at this moment it is capable to complete the wildest, most unexpected act. (for example, similar to Pierre Bezukhov, to be swung back to the wife by marble table.)
In any ethical awkward situation Balzac feels himself very restlessly. Sometimes in the searches for output he aggravates the created stress, no longer discussing, rights it or it is guilty, striving as it is possible faster "to ischerpat'" situation how to it this not threatened. In such minutes it is capable to the act, about which it will then possible regret, but for the moment this for it does not have a value: its reason by poly-awn is subordinated to the whirlpool of emotions, before which it is helpless, and therefore it does not belong to itself.
Blinding by emotions for Balzac is equivalent to folly. The same he thinks also about others. Therefore it fears and hates the manifestation of sociopolitical hysteria in any form of it. As soon as appears sequential political leader- maniac or latter-day prophet- psychopath, Balzac "departs" to his well-organized podval'chik and closes there until the better time or he escapes herself somewhere "after the ocean".
After all experienced by it in the real life shakings easy emotional discharging in the form of "terrible fairy tale on the night" (any of the film of horrors) for Balzac is not more than children's amusement. Favorite genre - comic nekrotriller (of type "families Adams").
Humor of Balzac - its kind the method of intellectual- emotional "retribution". Sometimes it is expressed as reaction to the perceived by it psychological discomfort:
"now, zarane celebrating,
It began to draw in the soul of its
Caricatures of all guests ".
Sometimes bal'zakovskiy humor is expressed in the form of very successful epigrams. Sometimes this is the simply thin irony, painted in the gloomy tones. Bal'zakovskiy "black humor" is characterized by unique nekrooriyentatsiyey. It can Balzacs in contrast to the Hamlet and they do not philosophize above the skulls of their friends, but fairly often they joke on this theme. In Balzacs to a question of death from the childhood philosophically- ironic relation is formed. (Child- Balzacs they are frequently entertained by the figures of "skeletikov", by "zhutikami" and "horror stories".)