Apostasius
1 Nov 2005, 01:21 AM
Well... since it's Halloween, I thought I would share the following brief "essay" that I wrote a couple of years ago when I was bored--and seeing as how I am bored right now, I'll "regurgitate" it.
_________
"The Raven": Speaker of Despair
Edgar Allen Poe's poem “The Raven” is quite interesting in its technical construction. Within the first stanza, one can analyze the general pattern of the poem as well as the mood that it creates:
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore --
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this and nothing more."
The poem has a very rigid structure (all of the stanzas follow this structure). The meter in the poem follows this pattern of syllables (per line): 16, 15, 16, 15, 15, 7 (the second line of the first stanza, which is the only seeming exception, requires one to pronounce "over" as "o'er" and "curious" as something akin to "cur-yus"). In addition, the rhyme scheme by line follows an ABCBBB pattern, but Poe has internal rhyme within the 1st and 3rd lines of each stanza. The 3rd and 4th lines all use the C rhyme. Interestingly enough, throughout the poem, Poe does not waver in his use of the "or" sound (the "B"). This is to echo his lost love Lenore.
The mood is melancholic. Poe also intends the poem to be somewhat grating in its repetition. Not only does one continually hear "or" one also gets the echo of the 5th line mirroring the 4th line. One can almost sense the feeling of madness from the rapping tapping and the raven's unwavering call of "nevermore" as Poe feels the loss of Lenore -- the fact that she is no longer living -- nevermore.
I have attempted to recreate the structure of The Raven in the beginning of a possible poem that I wrote about a man who, for whatever reason, is reflecting upon damnation as a thunderstorm takes place. I found that following the technical style on two stanzas was difficult. I admire Poe's tenacity in maintaining this structure throughout his 18 stanza poem. Anyway, here is my attempt:
Once I sat and thought and wondered, while outside it rained and thundered,
With the crashing cracks of thunder like I'd never heard before.
Soon my brow creased tight with worry. What if hell unleashed its fury?
Would I shrink back from the flurry -- from a sight that I'd deplore
The stench of brimstone reeking -- a reeking that I'd deplore
Eternal flames evermore.
Amid darkness with such yearning, all the souls around me burning
Screaming shouting gnashing weeping -- the groveling on the floor.
Mouthing silent words unspoken, the tormented shadows broken
Endless pain the only token, only this and nothing more.
Pain and suffering the only fate -- just this and nothing more.
Spirits pleading for the door.
________________________________________
The Raven
by Edgar Allen Poe
ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore --
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this and nothing more."
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; -- vainly I had sought to borrow
From my books surcease of sorrow -- sorrow for the lost Lenore --
For the rare and radiant maiden whom the angels name Lenore --
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me -- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door --
Some late visiter entreating entrance at my chamber door; --
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you" -- here I opened wide the door;--
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore --
Let my heart be still a moment and this mystery explore; --
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door --
Perched upon a bust of Pallas just above my chamber door --
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore --
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning -- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door --
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered -- not a feather then he fluttered --
Till I scarcely more than muttered "Other friends have flown before --
On the morrow he will leave me, as my Hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore --
Till the dirges of his Hope that melancholy burden bore
Of 'Never -- nevermore.'"
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet-violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath sent thee
Respite -- respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!''
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted --
On this home by Horror haunted -- tell me truly, I implore --
Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil!
By that Heaven that bends above us -- by that God we both adore --
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore --
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting --
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted -- nevermore!
_________
"The Raven": Speaker of Despair
Edgar Allen Poe's poem “The Raven” is quite interesting in its technical construction. Within the first stanza, one can analyze the general pattern of the poem as well as the mood that it creates:
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore --
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this and nothing more."
The poem has a very rigid structure (all of the stanzas follow this structure). The meter in the poem follows this pattern of syllables (per line): 16, 15, 16, 15, 15, 7 (the second line of the first stanza, which is the only seeming exception, requires one to pronounce "over" as "o'er" and "curious" as something akin to "cur-yus"). In addition, the rhyme scheme by line follows an ABCBBB pattern, but Poe has internal rhyme within the 1st and 3rd lines of each stanza. The 3rd and 4th lines all use the C rhyme. Interestingly enough, throughout the poem, Poe does not waver in his use of the "or" sound (the "B"). This is to echo his lost love Lenore.
The mood is melancholic. Poe also intends the poem to be somewhat grating in its repetition. Not only does one continually hear "or" one also gets the echo of the 5th line mirroring the 4th line. One can almost sense the feeling of madness from the rapping tapping and the raven's unwavering call of "nevermore" as Poe feels the loss of Lenore -- the fact that she is no longer living -- nevermore.
I have attempted to recreate the structure of The Raven in the beginning of a possible poem that I wrote about a man who, for whatever reason, is reflecting upon damnation as a thunderstorm takes place. I found that following the technical style on two stanzas was difficult. I admire Poe's tenacity in maintaining this structure throughout his 18 stanza poem. Anyway, here is my attempt:
Once I sat and thought and wondered, while outside it rained and thundered,
With the crashing cracks of thunder like I'd never heard before.
Soon my brow creased tight with worry. What if hell unleashed its fury?
Would I shrink back from the flurry -- from a sight that I'd deplore
The stench of brimstone reeking -- a reeking that I'd deplore
Eternal flames evermore.
Amid darkness with such yearning, all the souls around me burning
Screaming shouting gnashing weeping -- the groveling on the floor.
Mouthing silent words unspoken, the tormented shadows broken
Endless pain the only token, only this and nothing more.
Pain and suffering the only fate -- just this and nothing more.
Spirits pleading for the door.
________________________________________
The Raven
by Edgar Allen Poe
ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore --
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this and nothing more."
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; -- vainly I had sought to borrow
From my books surcease of sorrow -- sorrow for the lost Lenore --
For the rare and radiant maiden whom the angels name Lenore --
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me -- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door --
Some late visiter entreating entrance at my chamber door; --
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you" -- here I opened wide the door;--
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore --
Let my heart be still a moment and this mystery explore; --
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door --
Perched upon a bust of Pallas just above my chamber door --
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore --
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning -- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door --
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered -- not a feather then he fluttered --
Till I scarcely more than muttered "Other friends have flown before --
On the morrow he will leave me, as my Hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore --
Till the dirges of his Hope that melancholy burden bore
Of 'Never -- nevermore.'"
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet-violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath sent thee
Respite -- respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!''
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil! --
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted --
On this home by Horror haunted -- tell me truly, I implore --
Is there -- is there balm in Gilead? -- tell me -- tell me, I implore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil! -- prophet still, if bird or devil!
By that Heaven that bends above us -- by that God we both adore --
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore --
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven "Nevermore."
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting --
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted -- nevermore!